The Prophecy
How do you write about your book without sounding like an
arrogant know it all?
I have absolutely no idea because the line is so
transparent. So have faith and trust in me. I am anything but arrogant which is
ironic because that very sentence is arrogant. You love your story, your
characters and you’re proud of them. You want to show them off, like a new
mother wants to show off her baby. But how do you show off your baby without
making those about you want to bend over in sickness? I have absolutely no
idea, because I am new to this, so if you have any notes of advice, feel free
to offer them up to me.
The core of my story…
What do I want from my story and where will it take me?
All of us are constantly trying to figure out the workings
of life. What makes men go to war? Who is God? All of these questions are
constantly at the forefront of my mind. And maybe in a sense a part of
Celestine is connected to my need for answers. Celestine is the core of my
story, she is an orphan, born into greatness but brought low by circumstances
and this was vitally important for her as a character. Of course it would have
been easier to allow her parents to live, nice and rosy. But Celestine’s life
is anything but rosy and this is important. She is the heir to two thrones and
she has to be a certain type of leader if her kingdoms are going to survive.
What makes a good leader?
I can only give you my personal opinion on the matter. I
have spent countless hours reading and researching the subject, everything from
Machiavelli’s ‘The Prince’ to Sun Tzu’s ‘The Art of War’. My dissertation was
about Queen Elizabeth (The Virgin Queen) and when I was busy researching her, I
had a sense really of who I wanted Celestine to be. Strong, unyielding,
compassionate when needed and intelligent. Of course Elizabeth isn’t the only
strong female leader in history, I have a personal liking towards Queen Maeb
and Joan of Arch. In the end, this is what I wanted from Celestine. But to get
her to that place takes quite some journey, she is not a natural leader when we
first meet her, in fact she anything but strong or out spoken. She is
intelligent, shy and hates standing in the light. She is also a mediator, she
likes to keep the peace, which for her is a fortunate gift. But for Celestine
to take on her enemies and take control of her kingdoms she will have to give
way to some of her characteristics and embrace new qualities. She cannot be
seen to be weak or easily swayed and she will have to make incredibly hard
decisions that could mean life or death to her subjects. But how do we get her
to this place? How does she become a great leader and Queen?
Eveline...
Eveline (Celestine) we meet from the start. Her biological
parents have been killed and she has been put into the care of Estelle who lives
in Keswick and from that point onwards begins her incredible journey. She is
cocooned in the beauty of Keswick, despite being an outcast in society due to
her unusual gold eyes and fiery hair. Many superstitious villagers belief her
to be a witch and others think her peculiar. And she is. She is gifted with
magic, she is a good six feet tall with the most incredible eyes and hair. Her
beauty is at first terrifying, but for her it is a curse. Luckily she is not
alone, her adopted brother, Theodore shares similar abilities and in the book
we find out why. They become best friends and find comfort in their bubble of
existence, away from the gawking looks of those that live in the village. But
times change as they get older and their relationship changes too.
Turning of the times…
Theodore has always been in need of getting out into the
world, he is an adventurer and a natural born leader. In Eveline’s eyes he can
do no wrong, but as you read on in the book you see quite a different side to
Theodore, mainly because he has been masquerading under a different façade.
Qualities that may seem harmless at first become harmful in the end. He is a
seeker of position and power and he always gets what he wants. But I want to
make it clear, he may have his flaws but he is no shadow. Theodore has loved
Eveline for quite some time and asks for her hand in marriage. Eveline, never
being in the company of men and unable to fathom a life without her best friend
agrees, before Theodore is assigned to the RAF and leaves for London.
The Prophecy?
Ah yes, now we come to the intriguing if not slightly
confusing part of Eveline’s story. It is hard to write about this without
giving away the contents of the story. But she is the heir to two thrones, one
being the throne of Heaven the other the throne of Calhuni. Calhuni is located
on a different planet called Unas and it was from this garden that Eveline
(Celestine) was taken upon the death of her parents. Unbeknownst to her, a
great army of shadows, led by the ruthless Lagar have been searching in vain
for Eveline since she left Unas. Guardians have been keeping watch over Eveline
since her arrival on earth, but the extremities of the Second World War mean
that her safety becomes breached and she becomes known to Lagar.
A prophecy has long been debated over, since her mother’s
death. The Prophecy foretells of a great war that will shake the universe’s
core, a war centered around Eveline. Her birth land is plagued by corruption and
oppression and her throne has been taken by the very man who murdered her
parents. Elsewhere, the throne of Heaven is now vulnerable to Lagar and his
ever strengthening army. And whilst the all of this is going on, Eveline completely
in the dark, the prophecy foretells another important piece of information.
Eveline has been bound to a man since fate itself was born, a great man, whose
bloodline leads back to Gabriel. If she is to bind herself to this man and only
him, then she will conquer her enemies and take back her thrones. But the
prophecy also speaks of another man, and if she binds herself to this man then
the worlds of men will fall. Eveline does not realise that she has married this
very man, and he in turn does not yet realize his true destiny.
Love, love, love…
Is an important element in Eveline’s story but it isn’t the
only element. It does however account for a lot of her actions and it
inadvertently molds her into a stronger woman.
How do you write a love story that isn't corny or cheesy?
Well you keep it realistic and you don’t let it overrun you
story, you know it’s their but it isn’t the only reason you keep reading the
book. Does Eveline really need a man to survive? This is a theory she will endeavor to answer during the book series. It is however an important
component in the first book, it sets the story up. She finds herself in a love
triangle and it’s her actions that lead her down a new and unnerving path
towards her destiny. But from the second book onwards, we will be met by many
new story lines and characters and so her love story, as important and beautiful
as it is will not be the only story for the reader to immerse themselves in.
But let’s be serious for a moment, a lot of what we do stems from love, not
just the love between a man and woman, but the love between friends and family.
And in the prophecy we see it in all its forms, how love can overcome the
darkest of moments and the most evil of people. For instance we are introduced
to Zala and Arae, two sisters, ripped apart by Heidan, the new King of
Calnuthe. Their relationship is incredibly touching at times and I find myself
crying over their tumultuous journey to finding one another again.
Now Galean…
Galean happens to be Eveline’s destined lover, and he couldn’t
be any more different from Theodore. His father is the High King of Meer, a
great northern kingdom beyond the Calnuthe Mountains and he is the heir. He was
born into royalty and all that it includes and so is well versed and prepared.
He is a firm leader, wise and intelligent and his subjects respect and revere
him. But he is not without his own problems. He as heir to the throne, must
spend time in Gabriel’s company, as a soldier and guardian. He is the eldest of
three brothers, himself, Loaki and Beon. When he leaves Unas for Heaven, the
northern kingdom is flourishing despite his mother’s death. But when he returns
a widow, he returns to a divided kingdom, now floundering into war and despair.
Beon the once fair prince now has run mad and has waged war upon his father,
seeking the high throne for himself. He is the King of Galgor, the largest of
the three kingdoms and his closest advisor is Ethla, the black witch, a
dangerous woman who will do anything to see Meer crumble.
Under orders of Gabriel and against his better wishes,
needing to be with his people, he is sent back to earth to find Theodore and
Eveline. When he returns, little does he know that he will meet a woman who
will change his life. But the complications get ever deeper and in the end he
must choose between Eveline and his people.
Now
The bad ass characters, every writer has to include, much to
their dismay…
I must be writing on behalf of at least a dozen or so
seriously ill reputed characters, both male and female. And I have to say the
female characters for me are the worst. The first book really centres on
incredibly evil male characters and doesn’t touch on the female characters just
yet. The issue is this, you want your characters both good and bad to have
their own dimensions, you don’t want to keep their bass ass natures general, no
you want to make them complex, and they have to stand out from one another.
Lagar for obvious reasons has to be the worst, he is the lord
of Hell and King of shadows and he is a real threat to the throne of Heaven. Of
course it would just be simple for him to get rid of Eveline, but he isn’t that
kind of character, he is insidious and his mind is a maze of complications, not
even I have him completely summed up. Lagman, is his right hand shadow and is
revered amongst the younger shadows, and his methods are to put it nicely
despicable. Lagmar is on the hunt for Galean, who killed his only son Lagmar,
knowing this, Lagar has made it Lagman’s mission to kill Galean, knowing him to
be the man bound to Eveline through the prophecy. Then there is Belem, the
child snatcher and possessor of minds. He wreaks havoc for Eveline throughout
the story and renders her so beyond herself that by the end of the first book,
her hands are drowned with the blood of those she loves.
It would take me forever to run through all the bad
characters, but to top them all off comes Heidan, Eveline’s half-brother and
son of Lagar. I really struggled to write on behalf of such a dark character
and at times, I had to walk away from the book to clear my head. You find
yourself having to think on behalf of them and that can lead you down a dangerous
path if you’re not careful. Heidan will be Eveline’s true nemesis and their
story will determine the fates of everyone around them. Have you ever found yourself
pondering the levels of depravity a human can lower themselves too? With Heidan
there is no one level, his is a mass of darkness and his story is not a
pleasant one.
Keeping it real…
This book series is no fairy-tale, it is real and it is at
times difficult to comprehend. But life is difficult and that was what I wanted
from this series, I wanted to look at all the aspects of our lives. There are
good people, bad people and those in between the lines and so my characters are
sprinkled across this spectrum. There are love stories and then there are the
stories of those that have or are oppressed by terrible men and women and so my
series is filled with challenging dilemmas. I wanted to look at various
subjects, war, greed, politics, religion, racism and injustice and try to
analyse them through the eyes of others. I wanted to create small groups of
friends, whose friendships would be tested and proved, I wanted to create a
world filled with magic and possibilities, I wanted to offer some of my
characters redemption , I wanted to see if love could outdo all the terror, I
wanted to acknowledge human flaws and I wanted above all to follow the stories
and see where they would lead, because still, I have no concrete idea of where
a lot of my smaller storylines will end up and for me that is both exciting and
terrifying. You want the best for your characters, but this is real life and so
you have to be realistic. A lot of them may not survive, many may alter in a
bad way and many who you would never believe to alter for the best may just.
But that is the beauty of life too, everything doesn’t have to be in concrete
terms, there are so many possibilities. In the end, I am hoping that Celestine
fulfils the prophecy, even if her journey towards that at times may seem
impossible. But there is no firm guarantee that all will go to plan, no guarantee
that the good characters will achieve all that they have in mind and above all
there is no guarantee that the light shall overcome the darkness, because that
is the reality of life, many of the winners are corrupt people and a great many
loses are some of the greatest people and to paint my world in a different
manner would be unjust and unfaithful. But I have faith in Celestine and hope
that she claims back her rightful throne. Hope is an integral part of who we
are and even a little hope can bring forth greatness and that is my hope for
this series and Celestine.
Iseult x
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